Interpreting Zohran Mamdani's Sartorial Statement: The Garment He Wears Reveals Regarding Modern Manhood and a Changing Society.
Growing up in London during the noughties, I was always surrounded by suits. They adorned City financiers rushing through the Square Mile. You could spot them on dads in Hyde Park, playing with footballs in the golden light. Even school, a inexpensive grey suit was our mandatory uniform. Traditionally, the suit has served as a costume of seriousness, projecting authority and performance—traits I was expected to aspire to to become a "adult". Yet, before lately, people my age seemed to wear them less and less, and they had all but disappeared from my mind.
Subsequently came the newly elected New York City mayor, Zohran Mamdani. Taking his oath of office at a closed ceremony wearing a subdued black overcoat, pristine white shirt, and a distinctive silk tie. Propelled by an innovative campaign, he captured the public's imagination like no other recent contender for city hall. But whether he was celebrating in a music venue or attending a film premiere, one thing remained mostly unchanged: he was almost always in a suit. Relaxed in fit, contemporary with soft shoulders, yet traditional, his is a quintessentially professional millennial suit—well, as common as it can be for a cohort that seldom bothers to wear one.
"This garment is in this weird position," says men's fashion writer Derek Guy. "Its decline has been a slow death since the end of the Second World War," with the real dip arriving in the 1990s alongside "the rise of business casual."
"Today it is only worn in the strictest locations: weddings, funerals, to some extent, court appearances," Guy explains. "It is like the traditional Japanese robe in Japan," in that it "essentially represents a tradition that has long retreated from everyday use." Many politicians "don this attire to say: 'I am a politician, you can have faith in me. You should vote for me. I have authority.'" But while the suit has historically signaled this, today it performs authority in the hope of gaining public trust. As Guy clarifies: "Since we're also living in a liberal democracy, politicians want to seem relatable, because they're trying to get your votes." In many ways, a suit is just a subtle form of drag, in that it performs manliness, authority and even closeness to power.
This analysis stayed with me. On the rare occasions I need a suit—for a ceremony or black-tie event—I dust off the one I bought from a Japanese retailer a few years ago. When I first picked it up, it made me feel sophisticated and high-end, but its tailored fit now feels outdated. I imagine this sensation will be all too recognizable for many of us in the global community whose families originate in other places, especially global south countries.
Unsurprisingly, the working man's suit has lost fashion. Similar to a pair of jeans, a suit's shape goes through cycles; a specific cut can therefore define an era—and feel quickly outdated. Consider the present: more relaxed suits, reminiscent of a famous cinematic Armani in *American Gigolo*, might be in vogue, but given the price, it can feel like a significant investment for something likely to be out of fashion within five years. Yet the attraction, at least in certain circles, persists: in the past year, major retailers report suit sales rising more than 20% as customers "shift from the suit being daily attire towards an appetite to invest in something exceptional."
The Symbolism of a Accessible Suit
Mamdani's preferred suit is from a contemporary brand, a European label that retails in a moderate price bracket. "He is precisely a reflection of his upbringing," says Guy. "A relatively young person, he's not poor but not exceptionally wealthy." Therefore, his mid-level suit will resonate with the demographic most inclined to support him: people in their thirties and forties, college graduates earning professional incomes, often frustrated by the cost of housing. It's precisely the kind of suit they might wear themselves. Not cheap but not lavish, Mamdani's suits plausibly align with his proposed policies—such as a capping rents, constructing affordable homes, and free public buses.
"You could never imagine a former president wearing Suitsupply; he's a luxury Italian suit person," observes Guy. "He's extremely wealthy and grew up in that New York real-estate world. A power suit fits naturally with that tycoon class, just as attainable brands fit naturally with Mamdani's cohort."
The legacy of suits in politics is long and storied: from a former president's "shocking" beige attire to other national figures and their suspiciously impeccable, custom-fit appearance. Like a certain British politician learned, the suit doesn't just clothe the politician; it has the power to characterize them.
The Act of Banality and Protective Armor
Maybe the key is what one academic refers to the "enactment of banality", invoking the suit's long career as a standard attire of political power. Mamdani's specific selection leverages a deliberate modesty, neither shabby nor showy—"respectability politics" in an inconspicuous suit—to help him connect with as many voters as possible. But, experts think Mamdani would be cognizant of the suit's historical and imperial legacy: "The suit isn't apolitical; scholars have long noted that its modern roots lie in military or colonial administration." It is also seen as a form of protective armor: "It is argued that if you're from a minority background, you might not get taken as seriously in these traditional institutions." The suit becomes a way of asserting credibility, perhaps especially to those who might doubt it.
This kind of sartorial "code-switching" is not a recent phenomenon. Indeed historical leaders previously wore three-piece suits during their early years. These days, other world leaders have started exchanging their typical military wear for a black suit, albeit one without the tie.
"Throughout the fabric of Mamdani's public persona, the struggle between insider and outsider is visible."
The suit Mamdani chooses is highly significant. "As a Muslim child of immigrants of Indian descent and a progressive politician, he is under pressure to meet what many American voters expect as a marker of leadership," says one author, while simultaneously needing to walk a tightrope by "not looking like an establishment figure selling out his non-mainstream roots and values."
But there is an sharp awareness of the different rules applied to who wears suits and what is interpreted from it. "This could stem in part from Mamdani being a younger leader, skilled to adopt different identities to fit the situation, but it may also be part of his multicultural background, where adapting between cultures, traditions and attire is common," commentators note. "White males can go unremarked," but when others "seek to gain the authority that suits represent," they must meticulously negotiate the codes associated with them.
Throughout the presentation of Mamdani's official image, the tension between belonging and displacement, inclusion and exclusion, is evident. I know well the discomfort of trying to fit into something not built for me, be it an cultural expectation, the culture I was born into, or even a suit. What Mamdani's sartorial choices make evident, however, is that in politics, appearance is not neutral.